Excerpt at The Brooklyn Rail

Thanks to the amazing Donald Breckenridge, I’ve got an excerpt of my current novel in progress (tho truth be told I am SO READY to have this baby out in the world, I’ve been in the third trimester with it for more than three months, just saying) up at the equally amazing publication The Brooklyn Rail. I think you should read it. What’s stopping you, really. It’s in hard copy but also free online right here.

From the description of the book I gave them: WHAT WOULD EMMA GOLDMAN DO? is an autobiographical novel set in late capitalism and climate crisis. The lead character considers her life and politics in comparison with historical and contemporary figures, notably anarchist Emma Goldman, in an effort to determine what would be radical enough to meet the moment. She is on a job search and lives with her romantic partner in a mortgaged house. Self-doubt and online petitions ensue.

What are you waiting for? Click away, my friends. Click away. Tell ’em Emma sent you.


Save the date – NYC 7/10

I’ll be reading from the current manuscript at KGB Bar in the East Village. The Red Room, of course. Red as in commie red, I imagine. Anyway, it’s in the Same Page reading series, which looks like fun. If you’re NYC area or going to be in town, comes say hi. Listen to us read. Mingle. There will be a flyer at some point, but until then there’s this:

same page

New Poem Up

I haven’t been writing poems because I’ve been working on a novel, but I got asked to take part in a collaborative project for the University of Rochester’s Decarceration Research Initiative. So I made one. The entire project was interdisciplinary, with bits of text on the photos that were the triggers for the work printed on flags hung up in the windows of downtown Rochester, and other performative components.

The premise of the creative component was to use photos of the sky taken within close proximity to a number of correctional facilities in Western New York as prompts. The resultant art hopes to focus attention on the rampant carceral state the US has become. The project culminated in a public symposium, with panels convened on supporting those who’ve been incarcerated upon release and envisioning a Rochester without prisons.

I want to thank Evelyne Leblanc-Roberge for inviting me to take part and the good work she is doing with the RDRI. Here is a link to the home page of the website for the project. Below is the photo I used as prompt, taken of the sky above Auburn Correctional Facility. My poem is title EYE IN THE SKY.

sun, sky, prison
Sky over Auburn Correctional Facility. Photo by Evelyne Leblanc-Roberge.


Happiness & Success

A not-for-profit art endeavor asked me a few questions about writing, praise, and my definition of success. Hooboy did I want to avoid those questions! But I didn’t. This isn’t a treatise or in-depth manifesto, but I do give it a shot. Also, some words on writing and how to stick with it. Have a look! Plus, they use a photo of a mountain! In lieu of being able to give you theirs, here’s this.



Yep, Going to AWP

I’m on a panel, so I’ll be there if the creek don’t rise. For those who don’t know, AWP is basically a ginormous trade show for writers. This year it’s in Portland, Oregon. If you’re going, come to this:

Listening To The Art: Committing To Your Book No Matter How Long It Takes
[something I know a little something about]
B116, Oregon Convention Center, Level 1
Saturday, March 30, 2019
1:30 pm to 2:45 pm

“The whole culture is telling you to hurry, while the art tells you to take your time. Always listen to the art.” Sounds good in theory, but it’s harder to do when the manuscript is taking months or years to finish. How can a writer see a project through to its full realization when it seems like the rest of the world is moving at the speed of the Internet? Five published writers talk about writing their books and the challenges and rewards of listening to the art.

I’m one of those five writers. The others include: Susan Ito, Rafia Zakaria, Laura Sims, and LaTasha N. Nevada Diggs.

Death and Other Holidays

This book arrived unbidden at my doorstep on a day I heard news I did not want to hear about my beloved partner Jon Lathrop. As I am a writer and sometime book reviewer, author interviewer, essayist, books sometimes show up as enticements for my attention. I’m not a hugely high profile book writer, but still, some do come.

But why this book? Why that day? I was expecting Revolution Sunday by Wendy Guerra (trans. Achy Obejas), a book I’d expressed specific interest in, and it did come a few weeks later. My plans had been to interview her for Full Stop. As that book isn’t due out until later in the year, thankfully, I have some time. I’m on holiday, you see. One that death has caused.

I can tell you that I read Marci Vogel’s book. I can tell you that it did for me what the nonfiction works on suicide and surviving the loss of a loved one couldn’t. I will read Joyce Carol Oates’ A Widow’s Tale. I have read Joan Didion’s The Year of Magical Thinking. I want to tell you what Vogel’s novella managed that the non-literary works didn’t, but I’m on holiday. Maybe I’ll get there before its pub date. I don’t know. I’ve got my own novel to return to, and I’ve no idea how or when to do that. Death doesn’t end, but holidays do.

That’s all I got for now.

death and other holidays

Reading in Arlington

Participants from the Writing About Politics workshops I led at Grub Street will read work from the class – and you should come! Not kidding this work was so moving, inspiring, depressing, funny, and inventive. We laughed, we cried, we wrote. If you are in the area, do yourself a favor and check out this cool cafe while supporting these amazing writers:

Jody Carlson
Anna Lee Hirschi
Martha McCollough
Raymond Tatten
Cara Benson – Instructor

Come out to hear creative responses to the current political climate! Short works inspired by Grace Paley, Omar Robert Hamilton, Claudia Rankine, and others. Bring your own 2 minute piece, and we’ll have an open read after. Here’s the event page.

Kickstand Writing Abt Politics Flyer JUNE 6

Join Me!

This will be super short because I’m on deadlines, but I’ve got two workshops coming up the you can join in on – and I hope you do! Also, take a listen/look at the video at the bottom of this post and tell me if it doesn’t make you feel good. As with much music, but certainly with this one, I suggest playing it loud. “Do you really think I care what you eat or what you wear?” I don’t. I really and truly don’t. What I do care about is joining. Writing. Living. Loving. Changing that which harms us. The planet. Each other.

Join me in these two workshops!

Writing About Politics at Grub Street in Boston on Sat, May 5.

Creative Writing at East Greenbush (NY) Public Library on Sat, May 12.

Everybody join together….

Slow Writing, Flash, & Hanging in There

We are makers, we humans. Other species too, of course, but I’m trying to limit myself here so that this blog post has a shot at completion. I could easily open so many doors in my thinking that I never hit “publish” on this thing. I might look out my window at the black-capped chickadees and slate colored juncos helicoptering around the feeder and wonder at their nests, if they’ve strewn any found bright purple yarn into their creations. Then I might think about why they would do this. Some species do it to attract mates. Others, like us, we do it, in part, to experience original response. Something more than our own echo off the cave wall.

Oh boy. See? Now what was I saying. That’s write. Right. Unfolding ideas in writing, pursuing these lines of thinking into a legible made thing takes time. I don’t even know if my opening paragraph has done its work yet, but I’m going to leave it behind because I have bigger fish to fry at the moment: the novel I’m working on. And also, some flash! Crazy? So crazy it just might work. I wrote about how the one can help the process of making the other for Grub Street so I won’t go into it too much here. (6 Tips: How to Stay Motivated for Big Creative Projects) I’ll briefly say that making short works while working on long form can be incredibly helpful to my morale.

And so I have, made shorts. In fact, one just got picked up by the prickly formercactus for their special 10th issue coming out this July. What a boon to this gal while at it on the longer work day after day. Even in and of itself, though, I do absolutely adore micros. Minis. Shorts. Flash. Fiction, creative nonfiction. Prose poems? Sure. In fact my first book is chock full of these bits. Also, I am leading an online flash writing workshop for Writing Workshops Dallas and the amazing Blake Kimzey. This is starting on April 9, so tout de suite get right over there and sign up if you’re wanting to makes some ditties in 8 weeks with me. I am LOVING the reading list I’m putting together and especially the prompts for writing. We’ll also  talk about where to send your works once revised (yes – we’ll workshop).

There’s more to say on all of this (I almost always say that!), but I’ve got to get back to the novel. Meantime, for your viewing pleasure, here’s this: